As I read all of these e-mails I am struck with profound sadness for our group. A number of truly valid questions have come up, but in an ugly, confrontational manner, that does nothing to elevate us. These kind of questions, when asked, need to be addressed at a time when respondants are available and able to answer fully. Negative innuendos and rumours will always abound in a group, but still, it saddens me that this list serve seems to serve negativity. It is not that discussion about any topic should not occur, and I am not advocating any kind of censorship. It is just that so often it is used to foster and encourage negativity.
The questions raised are actually reasonable and fair. I am sure the Council will take into consideration all of these concerns, as well as the biggest concern of all - communication. But the acidic negativity I have read still saddens me.
We are not meeting currently. Is this a correct forum and the time to challenge issues that require thoughtful effort on the part of the Council? If you had questions, why did you not ask them when we were in session? Why not hold them until that time? Why attack when perhaps the persons best able to answer may not be easily available? Why sound so ugly as to appear to be "attacking"? I do not know why, and actually I am not so interested in an answer as I am in seeing more sharing of culturally interesting comments and sharing of information.
The Houston Symphony Chorus is a wonderful group of divers people contributing to the elevation of humanity through musical art. I am proud and honored to be a member and to share creation of wonderful art with you.
I also look forward to singing the St. Paulus Oratorio again. It is wonderful. I prefer it vastly to Elijah. It will be an exciting event that I can be proud to be a part of.
Thank you for these wonderful opportunities.
Anne Campbell
This is an excellent explanation. And as I read, I was struck again by the value of openness and communication in any situation, and how misunderstandings and high feelings could all be avoided through stakeholders being permitted to be active observers (and maybe permitted some input, whether or not it is taken) in the process. Perhaps annual publication of what the available draw is, of expenditures, and of what is being considered for use, certainly would serve to make contributors--and potential contributors--feel some ownership in the process.
Pat B
----- Original Message -----
Members of the HSC Yahoo group:
There have been many comments on this group recently about the
endowment fund and its' use for a concert this spring. I'd like to
address those concerns and hopefully give you a little more
information. While I cannot say much on the process used to decide
on the spring concert of St. Paul as an endowment fund project, I
can comment on why I think it is a good use of those funds.
First let me say that I am looking forward to the St. Paul concert
in April. I've never done the work before but from people who
performed it in London several years ago, I hear that it is a
wonderful choral piece. This is an opportunity for us to perform a
piece that might never be performed at Jones Hall. We will be
performing St. Paul at Memorial Drive Presbyterian Church with
Charles conducting and with members of the Houston Symphony
Orchestra. This church was selected because of its location, size
of facility and staging to accommodate such a concert, their
successful ongoing concert series, their invitation to the symphony
and chorus to be on the series, and willingness to contribute to the
costs of producing this concert.
To my knowledge, this is the first time we will have the
opportunity to have Charles conduct both us and the orchestra in a
major concert. This a joint venture between the Houston Symphony,
HSC, and Memorial Drive. I understand that funds will come from all
three organizations. Our portion will be the draw from the
endowment fund for three seasons. (2005-2008) This year the symphony
also had extra "services" available which allows the musicians to
perform two "split" extra concerts. Our concert will be one of
those and include half of the orchestra (about 50 players).
The symphony and church will be doing advertising for the concert.
We will probably start rehearsing the work this fall in the long gap
we have between September concerts and the Christmas concerts in a
year that is fairly light for the chorus. I firmly believe that
this concert could lead to other opportunities for the chorus.
I called David Nussman a few nights ago and talked to him about the
concert to see what he thought. He said that this sort of concert
was at the top of his list of an appropriate use of the endowment
fund. The endowment was set up for "choral enrichment" activities.
This was left very broad so it would not rule things out in the
future. One thing it was not meant to cover is tours. A tour group
is usually a subset of the chorus. The endowment was also set up so
the Symphony management has final say on what activities the
endowment will be used for. We fall into the family of the Houston
Symphony and so our activities need to contribute to those artistic
goals. Symphony management also approves anything we do outside
normal symphony concerts, like tours. Several ideas were pitched to
symphony management this year and this concert was the one they
picked as an appropriate use of funds and as an activity that met
the overall musical goals of the Houston Symphony.
Right now the yearly draw from the endowment is not enough to fund
many things. However, taking the draw from several years does total
a large sum that can be used for bigger projects. As the endowment
continues to grow, so does the draw and at some point in the future
I can see us using the endowment yearly. But right now, a multiyear
draw project is the best way to use the funds. The last use
of endowment funds was a several year contribution to the CD.
Before that there were workshops. It's my understanding that the
workshops were well attended by the women but not the men of the
chorus.
David Nussman has expressed a willingness to meet with the chorus and
council to review the guidelines for the endowment. Many of the
questions people had about the amount of money in the endowment and
the draw amount were in the yellow pamphlet handed out last year as
we started the campaign. I will talk with Charles and Susan and see
when an appropriate time for such a meeting would be. My guess is
that it would at least need to be done after the Stravinsky concert
since we will be very busy the first six weeks of rehearsal. I also
hope to discuss, as a council, the process of submitting ideas and
see how that might be improved. I'll give Dave the questions that
have been raised in e-mail's recently. If you have any other
questions or concerns, please e-mail them to me and I'll see what
I can do to get them addressed. You can reply to me from this
posting or e-mail me at my home e-mail (roseprincess@Xembarqmail.com
<mailto:roseprincess%40embarqmail.com> )
I look forward to seeing everyone on August 14.
Jennifer Young
Members of the HSC Yahoo group:
From: cutvelvet_jung
To: HSChorus@yahoogroups.com
Sent: Friday, July 27, 2007 11:09 AM
Subject: [HSChorus] Information on the Endowment Concert
or work (jennifer.young@Xexxonmobil.com
<mailto:jennifer.young%40exxonmobil.com> ).
HSC Council President
From: HSChorus@yahoogroup
Sent:
July 28, 2007 1:31 PM
To: cutvelvet_jung;
HSChorus@yahoogroup
Subject: Re: [HSChorus] Information on the
Endowment Concert
There have been many comments on this
group recently about the
endowment fund and its' use for a concert this
spring. I'd like to
address those concerns and hopefully give you a little
more
information. While I cannot say much on the process used to decide
on the spring concert of St. Paul as an endowment fund project, I
can
comment on why I think it is a good use of those funds.
First let me say
that I am looking forward to the St. Paul concert
in April. I've never done
the work before but from people who
performed it in London several years
ago, I hear that it is a
wonderful choral piece. This is an opportunity for
us to perform a
piece that might never be performed at Jones Hall. We will
be
performing St. Paul at Memorial Drive Presbyterian Church with
Charles conducting and with members of the Houston Symphony
Orchestra.
This church was selected because of its location, size
of facility and
staging to accommodate such a concert, their
successful ongoing concert
series, their invitation to the symphony
and chorus to be on the series, and
willingness to contribute to the
costs of producing this concert.
To
my knowledge, this is the first time we will have the
opportunity to have
Charles conduct both us and the orchestra in a
major concert. This a joint
venture between the Houston Symphony,
HSC, and Memorial Drive. I understand
that funds will come from all
three organizations. Our portion will be the
draw from the
endowment fund for three seasons. (2005-2008) This year the
symphony
also had extra "services" available which allows the musicians to
perform two "split" extra concerts. Our concert will be one of
those and
include half of the orchestra (about 50 players).
The symphony and church
will be doing advertising for the concert.
We will probably start rehearsing
the work this fall in the long gap
we have between September concerts and
the Christmas concerts in a
year that is fairly light for the chorus. I
firmly believe that
this concert could lead to other opportunities for the
chorus.
I called David Nussman a few nights ago and talked to him about
the
concert to see what he thought. He said that this sort of concert
was at the top of his list of an appropriate use of the endowment
fund.
The endowment was set up for "choral enrichment" activities.
This was left
very broad so it would not rule things out in the
future. One thing it was
not meant to cover is tours. A tour group
is usually a subset of the chorus.
The endowment was also set up so
the Symphony management has final say on
what activities the
endowment will be used for. We fall into the family of
the Houston
Symphony and so our activities need to contribute to those
artistic
goals. Symphony management also approves anything we do outside
normal symphony concerts, like tours. Several ideas were pitched to
symphony management this year and this concert was the one they
picked
as an appropriate use of funds and as an activity that met
the overall
musical goals of the Houston Symphony.
Right now the yearly draw from the
endowment is not enough to fund
many things. However, taking the draw from
several years does total
a large sum that can be used for bigger projects.
As the endowment
continues to grow, so does the draw and at some point in
the future
I can see us using the endowment yearly. But right now, a
multi-
year draw project is the best way to use the funds. The last use
of endowment funds was a several year contribution to the CD.
Before
that there were workshops. It's my understanding that the
workshops were
well attended by the women but not the men of the
chorus.
David
Nussman has expressed a willingness to meet with the chorus and
council to
review the guidelines for the endowment. Many of the
questions people had
about the amount of money in the endowment and
the draw amount were in the
yellow pamphlet handed out last year as
we started the campaign. I will talk
with Charles and Susan and see
when an appropriate time for such a meeting
would be. My guess is
that it would at least need to be done after the
Stravinsky concert
since we will be very busy the first six weeks of
rehearsal. I also
hope to discuss, as a council, the process of submitting
ideas and
see how that might be improved. I'll give Dave the questions that
have been raised in e-mail's recently. If you have any other
questions
or concerns, please e-mail them to me and I'll see what
I can do to get them
addressed. You can reply to me from this
posting or e-mail me at my home
e-mail (roseprincess@
or work (jennifer.young@
I
look forward to seeing everyone on August 14.
Jennifer Young
HSC
Council President
For other options, send email to
HSChorus-help@yahoogroups.com
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